Western

Magnificent Seven 2016 or Magnificent Seven 1960. Which wins?

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We pit Antoine Fuqua’s modern reckoning against John Sturges’ classic western (via Akira Kurosawa’s Seven Samurai). Who comes out on top?

Designed to stretch across a lazy Sunday afternoon, Sturges’ film was a genuine epic. By contrast, Fuqua’s seems content to pass a pleasant 2-for-1 Wednesday. But this speed comes at the expense of dramatic weight. Of course the battles are better staged today – stunts have had half a century to improve – but they count for less. Where Sturges’ Seven turned to violence as the very last resort, Fuqua’s are itching for action, with Washington motivated by vengeance as much as outmoded decency. In the 1960 film, after some climactic carnage, Brynner turns to McQueen and comments on the futility of fighting. “Only the farmers won,” he says, sadly. “We lost. We always lose.” The 2016 version, meanwhile, pans across a row of fresh graves, offering an epitaph to the effect of, “Gee, weren’t those guys magnificent?”

Well, no, not really. The 1960 film spawned three direct sequels and a 1998 TV show, while Brynner’s evil gunslinger in 1975’s Westworld (itself getting an HBO remake) plays on the image of his iconic crusading cowboy. One thing’s for sure, nobody’s going to remake this remake.

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