The ‘Yellowstone’ Scene That Took a Very Shady Shot at ‘Sons of Anarchy’

Before Sheridan worked primarily as a writer-director for neo-Western television, he was an actor. Having been in the business for years, Sheridan was finally noticed in the early 2000s while appearing on Veronica Mars, which eventually led to his role as Deputy Chief David Hale on Sons of Anarchy. While there, the filmmaker learned plenty of lessons on how to properly run a television series, including how not to kill off a character. But his time on the series wasn’t always a bright spot in his acting career.

Appearing in only the first three seasons, Sheridan’s character was a no-nonsense cop who grew up with many of the members of the Sons of Anarchy Motorcycle Club, Redwood Original. Because of his strong childhood connection to Jax Teller (Charlie Hunnam) and some of the others in the group, he served as an excellent foil early on. Second-in-command under Chief Wayne Unser (Dayton Callie), Hale is nicknamed “Captain America” for his black-and-white outlook on crime, punishment, and law enforcement. Certainly, he’s not a character we’d think he would play. Taylor Sheridan’s time on Sons of Anarchy didn’t last long. The Yellowstone creator was credited as “Tayler Sheridan” in all 21 episodes he appeared in, and it turned out that they didn’t have plans to respect his character. In the Season 3 premiere “SO,” Hale is killed trying to stop a drive-by shooting at a wake for one of the SAMCRO members, run over unceremoniously by those responsible.

It was no doubt a shock to audiences who saw Hale as one of the few “decent” characters on the show, but it turns out, there was a very distinct reason for his exit. “At that time, they were offering me what I thought was a very unfair wage,” Sheridan told Deadline years later. “It was less than virtually every other person on the show, and not enough for me to quit my second job.” Realizing that Hollywood would never respect him as an actor, Sheridan gave up his career in front of the camera and focused on his work behind it. Years later, we got Yellowstone, so it seems like it worked out for the best.

Did Taylor Sheridan Use ‘Yellowstone’ for Revenge on ‘Sons of Anarchy’?

By the time Yellowstone had picked up steam, Sheridan had long waved acting goodbye. Though he still appears occasionally in his own projects (almost always directing himself), he’s mostly stuck to penning his own work. Nevertheless, he took some shots at his former FX home and was sure to write a confrontation between the Dutton posse and an unsuspecting biker gang from California. In the Season 3 episode “Going Back to Cali” (a double meaning when you consider that Sons of Anarchy took place in California), the Divine Discord Biker Gang arrives in Montana on their tour of the country to cut the fence to the Dutton’s land, using it to party hard into the afternoon. After a few of the Dutton ranch hands get into a tussle with the gang, they’re soon saved by Rip Wheeler (Cole Hauser

But that’s not all. Later that night, the bikers return under the cover of darkness to burn the field down. Only once they get there, they’re met by none other than John Dutton (Kevin Costner) himself. “If I did this to your home, what would you do?” John asks them. “I’d kill you,” says the leader. Just then, the rest of the Dutton forces arrive to put the bikers back in their place, and John has them dig their own graves right where they stand. But rather than take them to the Train Station, John makes a deal: if they leave Montana forever, they can live. They graciously accept his offer.

But that’s not all. Later that night, the bikers return under the cover of darkness to burn the field down. Only once they get there, they’re met by none other than John Dutton (Kevin Costner) himself. “If I did this to your home, what would you do?” John asks them. “I’d kill you,” says the leader. Just then, the rest of the Dutton forces arrive to put the bikers back in their place, and John has them dig their own graves right where they stand. But rather than take them to the Train Station, John makes a deal: if they leave Montana forever, they can live. They graciously accept his offer.